Electro-Voice RE Dynamic Microphone. The RE is a next-generation RE20 — a large-format end-address moving-coil dynamic microphone equally. Dynamic Large Diaphragm Microphone For studio and live applications, Cardioid , 30 – Hz, Ohm, Switchable frequency response for kick drum or. The Electro-Voice RE is a great multipurpose microphone that works equally well in recording and performance settings. Its sturdy design can record or mic.

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The only problem that I’m having with it re230 the moment is that my webcam won’t work when I use this mic for skype calls but that’s not saying re32 there is anything wrong with the mic. Please make note of eev terms and conditions for buying educational software under “Downloads” at the bottom of this page before Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag.

Thomann uses cookies to give you the best shopping experience. This mic, having the option of a “flat” or “scooped” preset eliminates that problem.

If you need brighter then the RE27 is also a much better choice.

If you use it without the kick position being selected, you DO get the bigger boomy sound, which I guess some people might like. The mic clamp supplied fits over the XLR socket tube, and is pretty sturdy and e made, and there is a small grub screw that prevents the thing sliding off.

Electro-Voice RE microphones are offered at many different budget levels.

The PSA1 does great at supporting the weight of my shock mount and the RE; very smooth and stays right where I need it all day. Most relevant reviews See all 48 reviews. Its Variable-D pattern control brings stability to sound pickup, and built-in pop filters keep unwanted sounds at bay. It is a dynamic microphone with a cartioid polar pattern, which is practical for many different applications. About this product Product Information Get rich, high-definition sound on stage or in sv studio.


EV RE 96 ratings. Use this mic in the fv to record voice and instrumental tracks. I run this microphone through a commercial audio mixer, which has an equalizer with individual level, treble, mid, and bass controls.

I cannot fault the sound it gives me. Marcus Miller M7 Swamp Ash 5st TBK 2nd Gen, 5-string electric bass made by Sire, swamp ash body, flamed maple top, bolt-on maple neck, C neck shape, 35″ extra long scale, ebony fretboard, dot inlays, 12″ radius, 45mm saddle width, No customer has written a text about this; or they have written a text in a different language. This also affects the price – to our customers’ benefit, of course.

Electrovoice RE320

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It rr320 a fantastic vocal mic, especially in performance conditions. Its sturdy diaphragm and steel case make it an excellent stage microphone, as it can handle lots of use on the road.

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Electrovoice RE

Then I tried it on the kick drum. As a company, we have one single objective: Compare Similar Items Current product.

The Electro-Voice RE dynamic microphone works well for many different instruments. This item doesn’t belong on this page. I got this primarily for use recording bass drums as I didn’t want to buy a specific “tailored bass drum mic”, which to me often sound too “scooped” by default. The Classic Workhorse Look, if it’s good enough for the fe320 Stevie Wonder and countless radio and music eev through the years, it’s good enough for my podcast!

However, most of the older Ham Radio operators, basically don’t hear the full audio spectrum as well anymore, but usually they can hear sound within the treble to high range audio better. We’re looking forward to hearing from you and aim to solve any problems as soon as we can. If you want the tech specs, look at those. Ratings and Reviews Write a review. This helps you create ideal microphoning or recording conditions for different instruments.


Marcus Miller M2 5 Transparent Blue 2nd Gen, 5-string electric bass made by Sire, mahogany body, maple neck, c-profile, maple fretboard, scale length mm, nut width 45 mm, 24 medium frets, 2 Marcus Blue humbucker pickups, Marcus heritage-3 electronics Id suggest getting a shock mount of some type and the mic is pretty heavy so a sturdy rd320 or boom will make life easier. Using a stand is a bit tricky because the hole in the front head is quite low, so the longer reach of the helps.

It makes us sound professional–the dual frequency settings, set to the ‘quick attack’ setting usually used for drums smooths out my vocal pattern I tend to shout and overmodulate a bit and makes for an overall great sound to my voice for our show.

EV RE – Thomann UK

This type of sound is really appealing for late night talkingwhen several Ham Radio operators are having a roundtable discussion. If money were no object, I would have an RE20 as well as one or the more bass drum specific mic’s on the market D, D6, 52A etcbut seeing as budget is a real factor, this has been perfect for me. With this microphone, I can make my voice sound deep like the infamous international professional late night shortwave talk radio studio host and announcer, Art Bell.

I have been using this for gaming, r3e20 overs, streaming, etc. It’s a BIG microphone – the Variable-D system means the capsule itself is quite big so the housing is bigger still. We are musicians ourselves and share your passion for making music.