Henri Dutilleux. Choral, Cadence et Fugato, for trombone & piano. Composition Information ↓; Parts/Movements ↓; Appears On ↓. Share on. facebook · twitter. Dutilleux’s Chorale, Cadenza and Fugue for Trombone and Piano has never found its way into the mainstream of Trombone repertoire, yet it remains a frequent. Henri Dutilleux – Composer – Choral, Cadence et Fugato for Tenor Trombone – Music Sales Classical.
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Vining has appeared as a soloist and clinician nationwide and as a guest artist at many conferences. It is a well crafted virtuosic piece from the French repertoire deserving of more attention from trombonists looking for something substantial to include on a recital.
Dutilleux Chorale, Cadence & Fugato for Trombone Solos w/Piano
The accompaniment foreshadows the fugue theme between each phrase and the trombonist is provided ample opportunity to put a personal spin on each phrase.
This system lists Horn before Trumpet. A successful performance depends upon a strong high range, excellent rhythm and mature interpretive skills.
Saxophoneswhen included in orchestral music they rarely are will be shown in the “other instrument” location after strings and before the soloist, if any. After some development of these ideas the fugue theme is stated in augmentation in the piano, over which the trombone plays a virtuosic fanfare figure.
Choral, Cadence et Fugato. Choral, Cadence et Fugato. View Shopping Cart Te Instrumentation Codes Following many of the titles in our Wind Ensemble catalog, you will see a set of numbers enclosed in square brackets, as in this example:.
These numbers tell you how many of each instrument are in the ensemble. Alphonse Leduc,piano score and solo part. The numbers represent only distinct parts, not the number of copies of a part.
The seven minute piece begins with a lovely lyrical chorale tune in the trombone accompanied by lush piano chords. Percussion is abbreviated following the brass. The first number stands for Trumpetthe second for Hornthe third for Trombonethe fourth separated from the first three by a dot for Euphonium and the fifth for Tuba.
Whenever this occurs, we will separate the first four digits with commas for clarity. Other Required and Solo parts follow the strings: The second example is common for a concert band or wind ensemble piece.
Beethoven Symphony No 1 in C, op 21 [2,2,2,2,0,0, tymp, ]. As the title suggests, Choral, Cadence et Fugato is divided into 3 distinct sections although the sections segue smoothly from one to another. Example 3 – MacKenzie: Note also dutilleyx the separate euphonium part is attached to trombone with a plus sign. Multiples, if any, are not shown in this system.
Following many of the titles in our Brass Ensemble catalog, you will see a set of five numbers enclosed in square brackets, as in this example:. Typically, orchestra scores have the tuba linked to euphonium, but it does happen where Trombone is the principal instead.
Choral, Cadence et Fugato, for trombone & piano
This section is in E major and travels up to high B-natural and down to pedal B-flat before settling on a long low E. And finally, here is one chlral way to visualize the above code sequence: It is a gem from the rich tradition of virtuosic French trombone solos which should be included in the repertoire of every serious trombonist. Instruments shown in parenthesis are optional and may be omitted.
Strings are a standard configuration 4 first violin, 4 second violin, 3 viola, 2 cello, 2 bass. The first number stands for Violinthe second for Violathe fugatoo for Celloand the fourth for Double Bass.
Choral Cadence et Fugato
Thus a double reed quartet of 2 oboes, english horn and bassoon will look like this:. Example 1 – Beethoven: There is no low brass. In the third example, we have a rather extreme use of the system. One of the more important recital works in the repertoire. In addition, there are often doublings in the Trumpet section – Piccolo and Flugelhorn being the most common. The Beethoven example is typical of much Classical and early Romantic fare. Also, it should be noted that Euphonium can be doubled by either Trombone or Tuba.
As the trombone makes its initial statement, a counter melody is introduced in the piano. Those trombonists interested in participating in the Eastern Trombone Workshop solo competition will soon become intimately acquainted with this piece as it is the required work for one of the age groups.
It consists of the forces Titles with no bracketed numbers are assumed to use “Standard Instrumentation. Copland Fanfare for the Common Man [