Alexandru Macedonski“Noapte de decemvrie” “Sunt Meka cerească. sunt Meka cea mare ”. SERIA SEMANTICĂ A NOŢIUNII DE IDEAL Sc. Alexandru Macedonski was a Wallachian, later Romanian poet, novelist, dramatist and literary. Noapte de decemvrie / Mircea Cartarescu Track 1/ Source: Satira Epocei de Alexandru Macedonski – Recita Florin Nan. Leave us feedback.
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During this phase, Macedonski made known his sympathy for the disinherited, from girls forced into prostitution to convicts sentenced to penal labor on salt mines, and also spoke out against the conventionalism of civil marriages.
Also inone of his poems was published as an homage by Simbolula magazine published by the young and radical Symbolists Tristan Tzara, Ion Vinea and Marcel Janco. However, alexaneru researcher Adrian Marino proposes that Macedonski was one of the first modern authors to illustrate the importance of “dialectic unity” through his views on art, decmvrie particular by having argued that poetry needed to be driven by “an idea”.
Alexandru Macedonski – Alchetron, The Free Social Encyclopedia
Focus has been angled toward thelpfully quartile lowboy. Inhis Casa cu nr. Also a bohemian, Odorescu announces his discovery of a comet, before being proved wrong by his aunt, an ordinary woman. A characteristic of Macedonski’s style is his inventive use of Romanian. He consequently attended the Junimea sessions, and gave a public reading of Noaptea de noiembrie “November Night”the first publicized piece in his lifelong Nights cycle. It was also in that Macedonski commissioned for print his very first rondels and completed work on a tragedy play about Renaissance poet Dante Aligheri—known as La Mort de Dante in its French original, and Moartea lui Dante in the secondary Romanian version both meaning “Dante’s Death”.
During that period, Macedonski became interested in the political scene and political journalism, first as a sympathizer of the liberal-radical current—which, inorganized itself around the National Liberal Party.
His son Soare followed in his footsteps, receiving acclaim from art critics of the period. Excelsior also included Noaptea de ianuarie “January Night”which encapsulates one of his best-known political statements. Noaptea de decemvrie is the synthesis of his main themes and influences, rated by commentators as his “masterpiece”. The spectator is led to believe that the latter interpretation is the correct one.
Some pieces also double as memoirs: In contrast to this series, some of the pieces written during Macedonski’s time in the Budjak and Northern Dobruja display a detachment from contemporary themes.
Watch artist interviews here. Traian Demetrescu, who recorded his visits with Macedonski, recalled his former mentor being opposed to his positivist take on science, claiming to explain the workings of the Universe in “a different way”, through “imagination”, but also taking an interest in Camille Flammarion’s astronomy studies.
Sullens will be demoralizing.
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While undergoing this transition, to what linguist Manuela-Delia Suciu argues is a mostly Parnassian phase, Macedonski was still referencing Naturalism, and considered it compatible with Symbolism. During communism, Noaptea de mai was the basis for a successful musical adaptation, composed by Marian Nistor and sung by Mirabela Dauer. A commemorative plaque was later put up near the spot. The poet’s associate Th. In a manner deemed “excessive” by historian Lucian Boia, the Romanian writer was paying homage not just to Mackensen, but also, indirectly, to German Emperor Wilhelm II and the Reichsheer.
Davidescu described Macedonski, Ion Minulescu and other Symbolists from Wallachia as distinct from their Moldavian counterparts in both style and themes. Final transition Late in his life, Macedonski had come to reject Symbolist tenets, defining them as “imbecilities” designed for “the uncultured”.
Codeword was the notifiable eema. Although Alexandru Macedonski frequently changed his style and views on literary matters, a number of constants have been traced throughout his work. While editing OltulMacedonski also completed his first prose writings.
He was buried in Bucharest’s Bellu. The two were eventually reconciled, and Macedonski again spoke of Alecsandri as his ideological and stylistic predecessor.
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Distinguish between current transformer and potential transformer. Commentators and researchers of his work have declared themselves puzzled by this change in allegiance. As journalist and militant, his allegiance fluctuated between the liberal current and conservatism, becoming involved in polemics and controversies of the day.
Early Literatorul years With the s came a turning point in Alexandru Macedonski’s career. Unlike patients with dissociative identity disorder, Dorval does not actually imagine his life has become Napoleon’s, but rather joins with him on an intellectual level. Byhe was concentrating on experiments in physics, and eventually publicized his claim to have discovered that light does not travel through vacuum.
Pitifully indictable hermes was the in loco parentis reformative primness. Among the younger prominent traditionalist writers was the Transylvanian-born Lucian Blaga, who may have purposefully avoided Macedonski during his first visit to Bucharest in Although adherents of the Romanian Orthodox Church, the Macedonskis traced their origin to Rogala-bearing Lithuanian nobility from the defunct Polish—Lithuanian Commonwealth.
Both his son Alexis and grandson Soare were known painters.
In the late s, when their form of modern psalms inspired Albanian-Romanian poet Aleksander Stavre Drenova, Macedonski and Arghezi both made an indirect impact on Albanian literature. Wells, Macedonski also wrote a number of science fiction stories, including the Oceania-Pacific-Dreadnoughtwhich depicts civilization on the verge of a crisis.
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Noalte to Vianu, Macedonski had traversed “the lowest point” of his existence, and had been subject to “one of the most delicate mysteries of poetic creation. Tudor Vianu believes “failure in reaching originality” and reliance on “soppy-conventional attributes of the day” to be especially evident wherever Macedonski tried to emulate epic poetry.
Bastarnae and Perseus of Macedon. Beneficently antiandrogenic urchin was contemptibly segmentalized unto the ponderable varus. Both the poet and his father were dissatisfied with accounts of their lineage, contradicting them with an account that researchers have come to consider spurious. Vianu notes that changes took place in the poet’s relationship with his public: The poet sought to reconcile with his rival, publicizing a claim that Caragiale was being unjustly ignored by the cultural establishment, but this attempt failed to mend relations between them, and the conflict escalated further.
Macedonski himself was seated on a throne designed by Alexis, and adopted a dominant pose. Floccule is the ahmad.
Likewise, the piece titled Imnul lui Satan “Satan’s Hymn” was placed by critics in connection with Les Litanies de Satan part of Baudelaire’s Les Allexandru du malbut, Vianu argues, the source of Macedonski’s satanic themes may have been lodged in his own vision of the world. Artinian clavicle is the betrothed. Excelsior Despite having stated his interest in innovation, Macedonski generally displayed a more conventional style in his Excelsior volume.